You should read this. Maciej Cegłowski is the man.
There’s a reason we still fly Boeing 747s designed in the 60s. The internet of 2060 may well be, more or less, kind of the same. Hopefully, It’ll still be doing the same job – connecting people to people, information and cats.
Our job is basically to not fuck this up.
🔮
Submitted for the approval of the Midnight Society, ”The tale of the 90s that were and are again”.
Fellow 90s kids may well remember our dreams of the future; robots, jet-packs, hover-cars, and other things that fly. Our internet with it’s telephonic hisses and beeps was a neon <table> and gif-laden monument to laissez-faire individualism and liberty. Both free of borders and more American than Coke™.
It was a nerd-party. Inverse to real-life parties in that the hip and the mainstream didn’t really have a place until social networks became a thing. We have all kinds of party parades now: high-school reunions, singles mixers, baby showers for multiple babies, and cat appreciation societies.
👙🐱🎉
Parades are great, but there’s something to be said for the neighborhood bar, or local cafe. Intimate, small places where you can be whoever you want and get to know a small group of friends.
As people who weave the language of machines, there’s magic in what we can do even if we can no longer see it. Since moving to NYC, I’ve met more than a handful of people who’ve created their own close-knit social places on the internet. Seems obvious, also very cool – why don’t more of us do this?
Stuff Cool People Say is something I cobbled together in a few hours. Comparably, it’s the broke-ass corner bodega. Probably the only place you could find a freezie in Manhattan.
To make it, I spun something up with the lightest http thing I know (Sinatra, Express, etc.). Rendered a <textarea> that posts to a database and we’ve got the seed of something social. (Before I drop the mic, I’d ideally add some auth - but y’know whatever.)
The hard part wasn’t actually writing it, but finding a simple place to host/run it. What would the internet be like with a Geocities for web-apps?
In an old issue of PAPER mag, —- writes about art school and music:
“I’d have an assignment to do an ink drawing that took me two weeks, three weeks, and I’d show it to my friends and they’d say, ‘Cool. My friend can draw. Now let’s go play ball. Let’s go downtown and talk to some girls.’ But when I’d work on a track, I’d work on it for just that afternoon — chop up a sample, put some drums to it. And if my friends liked it, we’d make a tape of it and play it all the way downtown. We’d listen to it all night, keep rewinding it. I made a decision at that point to focus on painting with sound instead of painting visually.”
The point, for those of us that make tools, is that every time you make something a little bit easier to do, the number of people who do it explodes. Then a bunch of really amazing things happen…
People use this new nicer thing to express themselves in new ways. People from diverse backgrounds see this as something interesting worth trying out. These people are young, hungry to leave a mark and innately cool. So now this newly accessible thing is cool, and soon after, it’s officially art.
Pay attention to the awkwardly held smiles of normals at a party where software design or development is being passionately discussed. I’ve been bored to tears at these things myself.
It’s not that designing and writing software isn’t inherently interesting, it’s that our tools are still so opaque and inaccessible to outsiders we’re pushed to consider the challenges and puzzles (languages, frameworks, etc.), before the cool things we could be expressing and sharing with them. —- doesn’t talk about how empowering it is to mix multi-track sessions in Logic Pro – he talks about how satisfying it is to be able to quickly make a thing that your friends think is cool.
Here’s to a future with great tools in it. 🌌
“I believe awesome is possible and I believe that beauty is important.” – —-
It’s probably somewhat weird to admit that after visiting the MoMA in New York a couple years ago, what I remembered most was a Wall Calendar in the gift shop. Having recently moved to NYC, I thought I’d treat myself.
The pattern is customized by arranging and stacking differently shaped colored panels to make new combinations. The dates are also swappable panels. It’s pretty low-fi, but zen in it’s own way.
Not so shockingly however, I haven’t remembered to stop and rearrange those vibrant panels or update the date in over two weeks. So for no particular reason I spent a weekend making a web version of the calendar.
In some ways it’s better than the MoMA original:
In “What Screens Want”, Frank Chimero makes the case that the inherent ‘shape’ of software is an amorphous ever-changing reflection of ourselves. We talk about software today the way we used to talk about plastic in the 70s - it’s now everywhere, has endless malleability and enables new product forms and behaviours that can only be done in this brave new world.
But because all this software is stuck inside glowing rectangles of varying sizes, none of it is as easy to use as the humble sandwich. We already know how to use real world tools and objects like hammers and sandwiches because they are clearly based on universal physical laws. A sandwich uses the elementary principles of shape and weight to teach you how to use it:
All of this happens without a user interface of icons or text.
Kinopio